Audible Worlds

I have Filtatron and Animoog. Of the two, I've used Animoog more. I also use Yamaha's TNR-1 and SampleWiz. I have Reactable and have used it a few times, but not enough to really learn it and get good with it. For theatre work I'm also really thrilled that QLab and certain digital mixers can be cont...

Just shared a folder with you. Still trying to get a good jpg for the third effect. I put in the metadata using ProTools' Workspace; I hope that worked.

Excellent! Now to get IRs of all of them for Altiverb/Speakerphone...

Yeah, that's a wee bit pricey for one sound designer to grab. On the other hand, if you know someone at the local high school or college who might have bought one (to deafen their players with a 130dB train blast in an enclosed space at close range at the start of a football game), it could possibly...

These aren't big aliens or stompy monsters, but I think they're very effective supernatural character sound designs. The ghost girl's "Death rattle" in The Ring was particularly creepy. As was Mercedes McCambridge's voice for the possessed Regan MacNeil in The Exorcist . I'm also particularly fond o...

I loved the sound design of "Gravity." I' still mulling it over, and I want to see the film a time or two more while I sort out my ideas, but I think it goes well past the basic "sound doesn't travel in a vacuum" idea that everyone is talking about. I think it's much more solidly thematic than that....

Have we tested MetaEdit to see if its metadata is visible in a range of DAWs? I can do some tests with ProTools this weekend.

Excellent! I will start looking at my recordings from last summer to see what's cool, and plan some new recording trips as well.

Looks as though we've made it! Onward.

OK, I'm sure I'm not the only one of us who's going to include sounds like that in my next project that's set in deep space...